I wish some published authors could read Chris Simms debut
novel as they might learn a little about the importance of lean
editing. This 200-page thriller is perfect for an afternoon when you
want to be held entranced by thriller that for a while removes you
from your problems.
It has a simple concept. A serial killer of sorts is murdering
people who have broken down in their cars on the hard shoulder
of British motorways. The murders are brutal and the police have no
leads in this grisly case. Advanced road-rage seems to be the reason
for the murders, but why? Enter young rookie motorway cop Andy Seer,
who on a routine patrol may have seen the killer, if not for his
cynical older partner Ray Walker who decides to head off for coffee.
Then add a mysterious shadowy figure who hunts along the road verges
and edges, sifting the detritus in his own personal hunt
and you have the ingredients for a fast-paced road novel.
The alternating viewpoints could have really confused me, but a
couple of chapters in, and Im racing through the pages with my
foot on the accelerator. Another interesting facet is the banality of
the killer, and how his character is shaped by the roads that snake
his deluded mind. Chris Simms is a copy-editor and he has really
brought his skill to bear, as he has stripped any excess padding from
his thriller, so that it is a stark and fast-paced read. Anyone
reading this will do so in one sitting, not just because its
lean, and short, but because it is so well composed. This is one not
to be read before a long drive and graphic in its violence. Simms is a
name to really watch out for, as his second novel Pecking Order
looks seriously damaging too.
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